Shakespeare’s Richard III: An Anomalous Protagonist in an Unusual Play

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DOI:

https://doi.org/10.14738/assrj.77.8526

Abstract

Shakespeare’s Richard III is studied in terms of the positivity of language in Richard’s speeches (close to 8000 emotionally scored words). Positivity is evaluated with the Dictionary of Affect in Language (Whissell, 2009). A plot line modeled with a polynomial regression is sketched for the entire drama on the basis of positivity. The overall emotion of the play is positive, and essentially comic (in comparison to Shakespeare’s oeuvre) but the trajectory of the plot of Richard III is tragic. Richard appears as a psychopath in most of the play but becomes more neurotic and conscience-stricken towards the end. The two discussions where Richard is attempting to force a marriage (with Anne, with Queen Elizabeth’s daughter) are compared and differentiated.

Author Biography

Cynthia Whissell, Laurentian University

Cynthia Whissell is a research design specialist and a psycholinguist who teaches in Psychology and in the PhD program in Interdisciplinary Human Studies.  She is a Full Professor with close to 50 years of teaching experience.  Her research focuses on how emotion is expressed in linguistic communications.

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Published

2020-07-19

How to Cite

Whissell, C. (2020). Shakespeare’s Richard III: An Anomalous Protagonist in an Unusual Play. Advances in Social Sciences Research Journal, 7(7), 199–207. https://doi.org/10.14738/assrj.77.8526

Issue

Vol. 7 No. 7 (2020): Advances in Social Sciences Research Journal

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Articles

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