Life According to Popular Children's Films

Authors

  • Sara Hare a:1:{s:5:"en_US";s:28:"Indiana University Southeast";}
  • Mariah Benham Indiana University Southeast

DOI:

https://doi.org/10.14738/assrj.86.10228

Keywords:

Children’s Films, Media, Gender Inequality, Animation, Gender Stereotypes

Abstract

This content analysis uses data gathered from the 150 top-grossing children’s animated films from 1990 to 2020 (based on North American theater sales) to examine the gender disparities and stereotypes in children’s media. The study shows that female characters are underrepresented in lead roles (14%), main gangs (28.1%), and speaking roles (27.2%). The central female characters are portrayed stereotypically. When female characters appear, they are more likely to be portrayed in a romantic and family relationship than male characters. However, films with a greater percentage of women writers are correlated with more speaking roles for female characters. The impact of media on children’s development is indisputable due to the way technology has become ingrained in day-to-day life. The lack of representation of female characters reinforces the stereotypical portrayals that negatively affect the self-esteem of girls and train boys to expect an androcentric world. The skewed and stereotypical portrayal of female characters fails to accurately represent the diversity of other parts of the world. While many of these films are produced in the West, they are widely distributed and consumed all over the world.

References

[1]. Ryan, Camille. 2018. “Computer and Internet Use in the United States: 2016.” American Community Survey Reports ACS-39, U.S. Census Bureau, Washington D.C. https://www.census.gov/content/ dam/Census/library/publications/2018/acs/ACS-39.pdf
[2]. Rideout, Victoria, Ulla Foehr, and Donald Roberts. 2010. Generation M2: Media in the Lives of 8- to 18-Year-Olds. San Francisco: Henry J. Kaiser Family Foundation. https://www.kff.org/wp-content/uploads/2013/04/8010.pdf.
[3]. Martins, Nicole, and Kristen Harrison. 2012. “Racial and Gender Differences in the Relationship Between Children’s Television Use and Self-Esteem: A Longitudinal Panel Study.” Journal of Communication Research 39(3):338-357. https://doi.org/10.1177/0093650211401376
[4]. Arboleda, Ilan, Tom Donahue, and Kerianne Flynn (Producers) and Tom Donahue (Director). 2018. This Changes Everything. (Motion Picture). United States: Geena Davis Institute on Gender in Media.
[5]. Bandura, Albert. 2001. “Social Cognitive Theory of Mass Communication.” Journal of Media Psychology 3(3):265-299. https://doi.org/10.1207/S1532785XMEP0303_03
[6]. Bian, Lin, Andrei Cimpian, and Sarah-Jane Leslie. 2017. “Gender stereotypes about intellectual ability emerge early and influence children’s interests.” Science 355(6323):389-91. DOI: 10.1126/science. aah6524
[7]. Steyer, Isabella. 2014. “Gender Representations in Children’s Media and their Influence.” Campus-Wide Information Systems 31(2/3):171-180. DOI: 10.1108/CWIS-11-2013-0065
[8]. Smith, Stacy, Katherine Pieper, Amy Granados, & Marc Choueiti. 2010. “Assessing Gender-Related Portrayals in Top-Grossing G-Rated Films.” Sex Roles 62(11):774–786. DOI: 10.1007/s11199-009-9736-z
[9]. Heldman, Caroline, Rebecca Cooper, Shrikanth Narayanan, Krishna Somandepalli, Emma Burrows, Sofie Christensen, Nathan Cooper-Jones, Meredith Conroy, Soraya Giaccardi, Linzi Juliano, Ninochka McTaggart, Romeo Perez, Hannah Phillips, Rita Seabrook, and Jenna Virgo. 2020. “See Jane 2020 Film Report: Historic Gender Parity in Family Films!” Geena Davis Institute on Gender in Media. Mount St. Mary’s University: Emmitsburg, MD. https://seejane.org/research-informs-empowers/2020-film-historic-gender-parity-in-family-films/
[10]. Heldman, Caroline, Shrikanth Narayanan, Rebecca Cooper, Meredith Conroy, Soraya Giaccardi, Nathan Cooper-Jones, Emma Burrows, Pamela Campos, Sofie Christensen, Milena Fava-Pastilha, Linzi Juliano, Melanie Lorísdóttir, Ninochka McTaggart, Romeo Perez, Hannah Phillips, Jenna Virgo, Jeremy Yoder, Sabyasachee Baruah, Digbalay Bose, Ming-Chang Chiu, Jamie Flores, Timothy Greer, Tanaya Guha, Rajat Hebbar, Naveen Kumar, Rimita Lahiri, Nikolaos Malandrakis, Victor Martinez, Anil Ramakrishna, Rahul Sharma, Karan Singla, Chloe Tanlimco, and Alex Young. 2020. “See Jane 2020 Television Report: Historic Screen Time & Speaking Time for Female Characters.” Geena Davis Institute on Gender in Media. Mount St. Mary’s University: Emmitsburg, MD. https://seejane.org/research-informs-empowers/2020-tv-historic-screen-time-speaking-time-for-female-characters/
[11]. Lauzen, Martha. 2020. “It’s a Man’s (Celluloid) World: Portrayals of Female Characters in the Top Grossing Films of 2019.” Center for the Study of Women in Television and Film. San Diego State University: San Diego, CA. https://womenintvfilm.sdsu.edu/wp-content/uploads/2020/01/2019 _Its_a_Mans_Celluloid_World_Report_REV.pdf
[12]. Lauzen, Martha, and David Dozier. 2005. “Maintaining the Double Standard: Portrayals of Age and Gender in Popular Films.” Sex Roles 52(7):437-446. DOI: 10.1007/s11199-005-3710-1
[13]. Lauzen, Martha. 2008. “Women @ the Box Office: A Study of the Top 100 Worldwide Grossing Films.” Center for the Study of Women in Television and Film. San Diego State University: San Diego, CA. https://womenintvfilm.sdsu.edu/files/Women%20@%20Box%20Office.pdf
[14]. Lauzen, Martha. 2021. “The Celluloid Ceiling: Behind-the-Scenes Employment of Women on the Top U.S. Films of 2020.” Center for the Study of Women in Television and Film. San Diego State University: San Diego, CA. https://womenintvfilm.sdsu.edu/wp-content/uploads/2021/01/2020 _Celluloid_Ceiling _Report.pdf

Downloads

Published

2021-06-12

How to Cite

Hare, S., & Benham, M. (2021). Life According to Popular Children’s Films. Advances in Social Sciences Research Journal, 8(6), 10–21. https://doi.org/10.14738/assrj.86.10228