Page 1 of 6

343

Advances in Social Sciences Research Journal – Vol.7, No.11

Publication Date: November 25, 2020

DOI:10.14738/assrj.711.9358.

Kioukias, D. K. (2020). Some Observations on the Good and Bad Chances of Feasible Social Engineering. Advances in Social Sciences

Research Journal, 7(11) 343-348.

Some Observations on the Good and Bad Chances of Feasible Social

Engineering

Dimitris K. Kioukias

Hellenic Open University

ABSTRACT

We attempt to discuss anew the idea of engaging in total social

transformation without regard to huge human cost. We argue that

“social engineering” entails much more risk than useful achievement,

for our destructive capabilities exceed our creativity potential. To

support the argument we draw some parallels between key social and

political phenomena with aesthetic, communicative, or legal ones.

Especially dangerous seems to be a partial appropriation of time, space

and history, or a full disregard of them in efforts to change society. In the

end we come to the conclusion that, while social manufacturing is

feasible, at least to a certain extent, the end result of the process is quite

often no better than the previous state of affairs. Therefore, the question

of human capacity to effect social transformation should be

accompanied by the question “with which specific result”.

Keywords: social manufacturing, social engineering, social results, creative

capabilities, destructive capabilities, history, aesthetics, law, communication.

“Where the Idea remains abstract, having not in itself the specific and suiting inly it way

of expression” (G.W.F. Hegel)

INTRODUCTION

God made man and woman, Rose Vadim made Brigitte Bardot a woman (Bardot Wikipedia),

geneticists can produce new animals and some avant garde intellectuals aspire to manufacture

entire societies. As a matter of fact, technological progress in the more material world traditionally

inspired analogous experiments in the social realm. Thus, for example, Modernity has often been

identified with progress in the natural sciences (Hall & Gieben 2003: ch. 1). It was then supposed

that a brand new society was born based on reason and science. Also, more recently due to the

intellectual current called “postmodernism” (e.g. Lash & Friedman 1996: 3) tradition based

institutions appeared strongly delegitimized with some people coming to the conclusion that

everything in society can be remade and appear new. In this sense a “migadic” society is perfectly

feasible, as social archetypes and roles may be socially modified. What is more, so the story goes,

what can be manufactured must acquire the status of an unbeatable socio-political ideal, a kind of

golden lamb to be adored by the populace. For it is characteristic of some kind of revolutionaries

that they cannot tolerate the past, save for cases they can reinterpreted it, i.e. remake it.

Page 2 of 6

344

Advances in Social Sciences Research Journal (ASSRJ) Vol.7, Issue 11, November-2020

The issue has been handled by various historical figures on particular occasions which appeared as

landmarks in the history of knowledge. Take, for instance, the quarrel between ancient Greek

rationalists and some sophists (Kioukias 2018), or the critique exercised over revolutionary

regimes, either the French Revolution, or the Russian one. Such prominent historical and political

thinkers as E. Burke, Alexis de Tocqueville, C. Popper, to mention but a few, strongly doubted the

idea of a an artificial social blueprint (Burke in Ball & Dagger 1991: 135 ff.), de Tocqueville 1991,

Popper 1980). Their “opponents”, notably the Enlightenment thinkers, believed in social progress,

but accepted the notion of universal human roles (Hall & Gieben 2003: 57). The Greek classics

(Kioukias 2018) were also predisposed towards social institutions which stood the test of

endurance over time, in spite of the fact that they themselves were quite innovating, not to mention

they probably introduced a first kind of Enlightenment. As a matter of fact, they largely focused on

the individual and reason (Sinclair 1951:19, Kioukias 2018:14).

A key characteristic of the discussion is the perception of law from each point of view. While to

classical writers law seems to be a product of maturity coupled by reason, to “modernists” law is

yet another instrument, ready to use to effect social change. This means that in the former case law

is not entirely separated from habit, while in the latter this is of no concern: You can legislate just

what you like. Law that is, is like a magical thing capable of transforming this into that. Law is

chemistry! Thus, for example, if for centuries minor violations of law, or morality, were punished

mildly, today this must be of no concern. For, we tend to believe in immense punishments and, more

generally, smart “multipliers” (as in economy, private law, etc.). It is as if we try to replace human

time by a universal one.

To what extent such claims may be realistic is a key question in this paper, examined, of course, in

broad lines-in principle. Examining to this end a number of social relationships can hopefully bring

fresh light into the discussion and thereby a number of political decisions which acquire the status

of law and regulate modern life. Before we enter into concrete social relationships, we intend to

discuss the matter in somehow more abstract terms, providing examples of feasible and unfeasible

transformations.

CAN I CHANGE IT?

Which materials can be changed and how is a question notably answered by natural science. We

cannot, of course, enter into this vast area, but at least we understand that a stone cannot generate

a new stone. We must admit that there are things which remain still. Thus stones we see today are

the same as seen thousand years ago. Without a moving force there cannot be any change in the

material world. Or, if you like it in Latin, “ex nihilo nihil fit” (Markantonatos 2019), i.e. from nothing

comes nothing. In a materialist philosophy we may consider the same. If intellectual loopholes may

be invented to refute this argument, the example of the stone is quite strong. If now thousands of

years are needed to change a stone, in social life this is not an acceptable time measure.

As a matter of fact, we cannot as yet abundantly change the course of time. We may, of course, speed

it up, through our machines of transportation and observation, but not to such extent as to achieve

immortality-this requires no time limits. We cannot visit the past either; we still need to rely on

historians and our natural mental tools. We can only use statistics to pretend we are able to control

time. We also try methods of ex ante forecasting and planning as well as prefabricated coincidences,

sometimes successfully, sometimes not so much so, if we judge from the poor results. Thus, in a

Page 3 of 6

URL: http://dx.doi.org/10.14738/assrj.711.9358 345

Kioukias, D. K. (2020). Some Observations on the Good and Bad Chances of Feasible Social Engineering. Advances in Social Sciences Research Journal, 7(11)

343-348.

number of catastrophes we note that the results are worse than some decays ago, probably because

the “multiplier” (the less predictable variance) has been raised considerably.

Humans, on the other hand, have managed to effect such changes as ages could not. Yet, however

magnificent technology we may have, the basic shape of the earth remains unaltered. For instance,

mountains remain mountains and oceans have been altered only slightly, after thousands of years- it is only due to past imperfect maps that we could “enjoy” greater alterations. While mass

destruction capabilities have been greatly developed, artificial “sculpture” has not developed

evenly. Therefore, it may be the case that human capacity of changing things has been tremendously

increased, but not so much in the sense of manufacturing as in the sense of destroying. Of course, it

would be foolish to disregard manufacturing abilities, best portrayed in the urban landscape.

However, their power can hardly be compared to the destruction power. We can much faster get rid

of Maracana stadium than build a new one.

You may argue that the new one may be much more comfortable. What will be missing though is a

less material ingredient, probably related to its history. For, indeed “time is a keen sculptor of

humans” (Elytis 1979). From this point of view, destruction exceeds creation and therefore bad

results appear to be more powerful than good ones. Although this is a hard to prove claim, in terms

of time destruction is definitely far faster than creation: The old stadium falls down in a few minutes,

the new one takes decades to establish itself as a legend, for some battles of historic magnitude must

be conducted inside it. Yet, a historic magnitude is made not every day. This is probably why a daily

creation which ends up in ruins only to start all over again next day, as shown in the myth of Sissyfus,

has been regarded as a human tragedy; real creation is synonymous to continuity. Ill and fragile

efforts are somewhat destructive, even when they appear in high technology. Then “our efforts are

like those of the Trojans” (Seferis 1981).

In a quite technological world such intangible factors as history may make little sense. On the other

hand, we witness a new revival of history in international relations, or even in such public functions

as law giving (case of past scandals). Perhaps the advent of internet resulted in increasing the

historical factor through technically possible curiosity satisfaction. If we are made to believe that

search in the internet is omnipotent, history research is also made plausible.

Speaking of such change of aspect, we may reach another conclusion, namely that indeed change of

viewpoint is much easier than real changes in the urban landscape. In this conjuncture we may

remember such terms as mass propaganda, or ideology. To change one’s mind then might be

considered more possible than other changes. Thus, it looks easier to change our view about a

particular history than change its remains/archaeology. Having agreed on that though, we

understand we are entering the realms of ideas, theory, science, philosophy.

I shall now provide another example, borrowed from aesthetics. A useful question in this respect is:

Is it possible to make past artistic works whatever we wish for? In a social climate freed from

aesthetic concerns it would be perfectly possible. As was put some time ago, we can easily build a

new Parthenon. By the same token we can use classical operas at will. First of all, nobody is going

to claim a copyright. Great composers are absent, while contemporaries have cultivated a spirit of

modification. They avail the right to technically transform past artistic works, even without caring

about official titles. Othello can change a costume and a setting without the slightest hint in the title

Page 4 of 6

346

Advances in Social Sciences Research Journal (ASSRJ) Vol.7, Issue 11, November-2020

of the modified work. Aristotle had put it this way: Some (bad) artists try to rely much more on

visual effects than a good script, while he urged that “characters should comply with reality”

(Aristotle 2008: 144-45, 151) (It is often assumed that such rules reveal a classicism; consequently,

modern art is not obliged to abide by such outmoded rules. However, a paramount rule here is the

rule of genuine creation which includes both script and scenic means. The selective separation of

the two suggests an experimental art and as such a trial. As in adolescence, a wish for

experimentation is mixed with appropriation though. Unfortunately, the same practice in letters

often amounts to plagiarism-another manifestation of man’s destructive capability.). Having said

that, one comes with the conclusion that there are really aesthetic rules; there is no such thing as

anomie in arts and letters and by extension in other forms of creation.

Such rules do not easily change, if, for example, we recall the basic geometrical rules of mechanical

engineering and architecture. As a matter of fact, they have remained the same for ages! This is may

be why contemporaries who wish to innovate try to change the mood and not the structure, as the

latter seems unalterable. Of course, some structural rules may indeed be alterable, as, for instance,

in visual arts, where we manage to approach the frontiers of human eccentricity. Still, basic human

figures are necessarily present. It is quite difficult to get rid of anthropomorphism.

Let us, however, expand a little more, entering the world of communication. An obvious reason for

such a customization as mentioned above is the “purpose”: Small alterations can convey a message

we have in mind, most probably different from what the original work aimed at. It is as if we thought

the means one uses in a work play a minor part in it. We may use the same practice in other social

realms too. For example, we may notice that political purposes are much more important than their

means. Of course, if this becomes eligible, we must regret it, for few are ready to accept such

modifications in real life. As the rule of proportionality is the common measure of social things, no

one would accept grotesque laws, because of extravagant means.

A legal regulation would fall into such a category, if it, for instance, provided for unsafe procedure,

jumping into severe penalties. If a proper law is such as to use moderate means, before it

accomplishes its purpose, i.e. rehabilitating injustice made to both the victim and the public, an

aesthetic rule of general validity is applied here. After all, what is an aesthetic rule at the end of the

day? Is it not a manifestation of the general geometric rule which is based on right proportions?

It is true that some arts rely more on non-proportionality than the other way around. Comedy is an

obvious such case (Karzis 2005). Its rationale must have been approaching real life which is not

always governed by reason, i.e. right measure. However, even here we are in need of a common

story to provide a good background. Comic gags, i.e. exaggerations, will be inserted into the plain

story to make for a good comedy. Bad comedies, on the contrary, are marked by a plenitude of means

(gags) without a purpose (we note here that a purpose, however good it may have been planned,

may be lost because of abuse of means).

CONCLUSION

Though the capacity for social engineering has been undoubtedly been increased, matching

technological similar capacities, it has been argued that there are limits to it which cannot be

ignored. It has hopefully been shown through various examples that mass destruction capabilities

appear more “successful” than reliable social engineering. By changing the means, the environment

Page 5 of 6

URL: http://dx.doi.org/10.14738/assrj.711.9358 347

Kioukias, D. K. (2020). Some Observations on the Good and Bad Chances of Feasible Social Engineering. Advances in Social Sciences Research Journal, 7(11)

343-348.

and some details that is of various social representations, including actual social relationships, we

can hardly succeed to truly renew and legitimize them. Speaking of legitimacy, this appears as an

important factor in any such endeavor. The measure of it is likely to be related to the need to

associate some innovations with strong enforcement measures. In contrast workable innovations

are usually marked by a sense of proportionality and, hence, acceptance. To put it in other words,

like in art it does not suffice to manufacture something; it has to be likeable too!

In the legal-political realm, if reforms are to be useful, they have to pass such tests. For, very unequal

results, waste of resources as well as “ugly” results betray a wrong calculation of cost and benefits.

Thus, a new relationship in which “victims” equal “winners” must be regarded as a failed social

modification.

If totally unaltered social relationships are often undesirable, for economic, political, or other

reasons, social engineering often signifies a violent modification with considerable side effects.

Thus, to radically change the urban setting is such a case. We appear we value the ends much more

than the means. Unfortunately, History has been marked by a few such radical decisions which

ended up in a bloodshed. It seems that certain “aesthetic rules” as part of universal rules (e.g.

principle of proportionality) may apply here too. At the end of the day we must feel obliged to abide

by the principle of balancing the possible principles surrounding an issue and finally either choose

the best, or abstain from action. For, when in doubt, inaction is also a choice, just like it happens in

some cases brought to courts; “In dubio pro reo.”. A final verdict is not always desirable.

To try to reverse the order of things, or the common symmetry is certainly a manufacturing process,

but with often bad results. I think this is especially true when we adore the ends at the expense of

the legitimate procedure. It is as if we decided to put the blame on someone who is criticizing social

things in private, praising at the same time the one who spies on him/her. Yet, such preventive

justice approaches the notion of “preventive democracy” which in turn has arguably been connected

to tyranny (Triantafyllopoulos in Kioukias 2019).

At the end of the day everything stable and recognizable and whatever appeases us is a (certain)

place. Everything that constantly changes is a non place, bordering the infinite which to the classical

Greeks meant the abyss. In political terms this is called utopianism. Extensive social engineering

then can be only feasible, if one decides to destroy common meanings such as the state, the nation,

or borders. For, just like rules and games, borders signify a particular meaning, i.e. something

conceivable and familiar, something which starts and ends somewhere. A borderless entity is an

infinite and normless game with no predictable play, as it happens when we insert into it a great

volume of undefined space. It seems then advisable to cease equating social progress with careless

social engineering, at least before we have carefully tested some social experiments. Unfortunately,

in social science and politics we can only rely on the traditional research methods, i.e. logical

argumentation, precedent, classification, quantification, graphical representation, to mention the

most common ones. We have fallen short of further innovating this human landscape; our

bibliography still uses these tools.

References

Aristotle (2008), Poetics, transl. by D. Lypourlis, Thessaloniki-Athens: Zitros.

Page 6 of 6

348

Advances in Social Sciences Research Journal (ASSRJ) Vol.7, Issue 11, November-2020

Ball, T. & Dagger, R., eds (1991), Ideals and Ideologies: A Reader, New York: Harper Collins.

Bardot, B. “And God Made Woman”, film directed by R. Vadim in 1956, https://en.wikipedia.org/wiki/Brigitte_Bardot.

Elytis, O. (1979), Odysseus Elytis, Collection 1035-1977, 5th Edition, Athens: Akmon (in Greek).

Hall, S. & Gieben, B. (2003), The Formation of Modernity, transl. into Greek by Th. & V. Tsakiris, Athens: Savvalas.

Hegel, G.W.F. (2000), An Introduction to Aesthetics, transl. into Greek by G. Veloudis, Athens, Polis.

Hobsbawm, E. & Ranger, T. (1983), The Invention of the Tradition, Cambridge University Press.

Karzis, Th. (2005), Satire and its World History, Athens: Kastaniotis (in Greek).

Kioukias, D. (2018), Learning and Going Further: Selected Classics and Modern Politics, Lap Lambert Publ.

Kioukias, D. (2019), Governing: A Philosophical-Historical Account for Some Modern Deficits of Public

Administrations (public policies), History Research, 7/2, pp 77-84.

Markantonatos, G. (2019), Latin and Other Foreign Phrases in New Greek, Athens: Alter Ego/Ta Nea (in Greek).

Lash, S. & Friedman, J., eds (1996), Modernity and Identity, Oxford: Blackwell.

Popper, C. (1980), The Open Society and its Enemies, vol. 1, Athens: Dodoni (in Greek).

Seferis, G. (1981), Poems, Athens: Ikaros (in Greek).

Sinclair, T.A. (1951), A History of Greek Political Thought, London: Routledge & Kegan Paul.

Tocqueville, A. d., (1990). Democracy in America, ed. P. Bradley, New York, Vintage Classics.