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Advances in Social Sciences Research Journal – Vol.7, No.7

Publication Date: July 25, 2020

DOI:10.14738/assrj.77.8543.

Onuora, C. N., Alu, N. F., Echem, S. O., Ezike, S. E., & Ogu, J. C. (2020). Illustrations In Totemism And Mythology As Panacea For

Enhancing Cultural Studies Among Igbo Secondary School Students In Nigeria. Advances in Social Sciences Research Journal, 7(7) 238-

260.

Illustrations In Totemism And Mythology As Panacea For Enhancing

Cultural Studies Among Igbo Secondary School Students In Nigeria

Onuora, Chijioke Noel

Department of Fine and Applied Arts,

Faculty of Arts, University of Nigeria,

Nsukka, Enugu State, Nigeria.

Alu, Nkem Fortyunes

Department of Fine and Applied Arts,

Faculty of Arts, University of Nigeria,

Nsukka, Enugu State, Nigeria.

Echem, Samuel Ogba

Department of Fine and Applied Arts/Music,

Faculty of Humanities, Alex Ekwueme Federal University,

Ndufu-Alike, Ebonyi State, Nigeria.

Ezike, Stephen Ezeh

Department of Fine and Applied Arts/Music,

Faculty of Humanities, Alex Ekwueme Federal University,

Ndufu-Alike, Ebonyi State, Nigeria.

Ogu, Jovita Charles

Department of Fine and Applied Arts,

School of Vocational and Technical Education,

Alvan Ikoku Federal College of Education,

Owerri, Imo State, Nigeria.

ABSTRACT

Totemism is the philosophy in which animals and inanimate objects

called totems are accepted as harmless co-habitants of man. Myths are

folkloric tales of origins and existence, which are as doubtful as they are

credible. In assessing Totemic and Mythological Imagery for cultural

studies, the study specifically sought to; (i) measure the extent to which

Igbo cultural images can hold students’ attention during cultural

studies, and (ii) explore Igbo totemic and mythological themes for

traditional synthesis in art. The research was experimental and

descriptive survey. The 4-week long vacation experiment comprised 40

Junior Secondary School students of ages 12-14 (treatment, n=20;

control, n=20) randomised from 60. The subject foci were; (i) Cultural

Studies; Igbo, Social Studies and Agriculture, and (ii) Art; Fine art, Poetry

and Drama. Three study instruments were used; (i) Igbo Totemic and

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URL: http://dx.doi.org/10.14738/assrj.77.8543 240

Onuora, C. N., Alu, N. F., Echem, S. O., Ezike, S. E., & Ogu, J. C. (2020). Illustrations In Totemism And Mythology As Panacea For Enhancing Cultural Studies

Among Igbo Secondary School Students In Nigeria. Advances in Social Sciences Research Journal, 7(7) 238-260.

them for refusing to indulge in evil, even when they had the powers to do so and seemingly go scot- free. Thus a symbiotic relationship between man, animals and inanimate objects came to define core

traditional Igbo philosophies, among the stretches of spiritual and religious hegemonies. Since Igbo

totemism and mythology usually stem around stories of the origin, propagation and continuum of

life, especially bordering on the relationship between man and his environment, they can be

considered core metaphors of primordial Igbo cultural philosophy.

The Igbos of South East Nigeria in Totemic and Mythological Purview

Totemism is the sensuous or physical acceptance of certain plants, objects or animals as co- habitants in the ecological system, because they are regarded as existential emblems, signs or

entities of human life and its ordinances handed down by ancestors. The objects of totemic inclusion

in human habitation are termed totems. They are revered as essential parts of being because myths

and legends hold them as pivotal in the existence and sustenance of man. Traditional Africa is

replete with worldviews woven around myths and totemism, which import the influence of non- human creatures like plants and animals to the humans on very high levels of cultural symbiosis.

When it is considered that people have desecrated the laws of the land or deities, appeasement is

done before or through totemic trees and animals to the gods. While some animals are ominious in

some parts of Igbo land, they are at the same time very friendly to humans in other parts. Burton

[1] states that totems are used to designate those things whose names the clan or family bears and

revers. The attendant belief in the respect for the totems and the rituals connected with their

worship are termed totemism. Put more succinctly Erim [2] submits that in the classic

anthropological sense, totemism linked man into groups under an emblem of common totemic

species (animal or plant) and set them apart from groups claiming common origin under other

species. The Igbo seem to revere certain plants, animals, fishes and reptiles in certain

streams/waters and deify them in their everyday dealings. Thus totemism in Igboland is a practice

that is as old as the people [Nwashindu and Ihediwa, 3]. On myths and mythology,

DiffrenceBetween.net [4] proffers;

When you talk about myths, you are referring to stories having no basis as to where, when, and from

whom they came from (anonymous). Myths feature supernatural episodes that seek to explain

natural phenomena in order to give humans some kind of special perceptions in a more cosmic level.

It amplifies human culture and society to a superhuman or godly level. As such, myths often

highlight the concepts of creation, religion, divinity, life and death. Many myths also showcase the

adventures of heroes that are endowed with superhuman capabilities. The setup of these accounts

is usually in the world’s primordial stage (when the world was still immature or incomplete).

Although myths have such a nature, they are still accepted as both true and sacred.

The Igbo tribe of South Eastern Nigeria is rich in ethnographic values in which animate and

inanimate objects alike constitute life. The way lifeless objects are enlivened in the sphere of

divinity, trade, agriculture, home management and community administration shows that totemism

and mythology are strong holders of the Igbo folkloric-real life. In holding certain plants and animals

in reverence, as obtained from ancestral times, the contemporary generations are tasked with the

combination of or choice between true Christian faith in which objects and animals are not to be

revered as mediums of worship, and the ancestral, mythological tradition, simply called idolatry by

Christianity. According to Nwashindu and Ihediwa [3], Igbo land is known for its sacred observance

of culture and tradition. Traditional Igbo religion believes on the spirituality of plants and animals.