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Advances in Social Sciences Research Journal – Vol. 10, No. 11

Publication Date: November 25, 2023

DOI:10.14738/assrj.1011.15886

Godwins, J. (2023). Philosophy of Body: Embodiment, Perception, and Understanding Other Minds. Advances in Social Sciences

Research Journal, 10(11). 364-381.

Services for Science and Education – United Kingdom

Philosophy of Body: Embodiment, Perception, and Understanding

Other Minds

Jude Godwins

Department of Philosophy,

Seat of Wisdom Seminary, Owerri,

Imo State University Owerri, Nigeria

ABSTRACT

The lived body, as an embodied self, lives, breathes, perceives, acts and reasons

(Drew Leder, 1990, 1-8). The imaginative, with its schematic structures, has a role

in thought (Lakoff, 1987, 275; Johnson 1987, 76,) even as we show preference for

the biological and psychological turn. The problem of other minds is about how we

come by the power to understand other people, comprehend their behaviours,

know their intentions, and discern their mental processes. In the Husserlian

phenomenology, we come to know and recognize the other through bodily

movement. The kinaesthetic experience of having a grip on its surrounding world

leads the ego into the knowledge and recognition of the other (Husserl, 1937, 16, §

62). We can take this kinaesthetic experience of knowing the other through motor

behaviour farther. Following an empathic understanding that comes from our

shared motor resonance system, we understand others when their motor

behaviour is put in a narrative framework (Gallagher, 2006). We admit, as

Gallagher does, that neither a “cold theoretical logic” (of folk psychology) nor a

“self-controlled simulation” (of simulation theory) replaces the powers associated

with the primary- and secondary inter-subjectivity that attend the way we interact

with others, first as babies and later as children (Gallagher, 2006, 12).

Keywords: Inter-subjectivity, embodied self, mental states, mental processes,

other minds, kinaesthetic experience, perception, gestalt configurations,

metaphorical mappings.

EMBODIMENT AND PERCEPTION

Zaner

Reflecting on the views of Gabriel Marcel, Sartre, and Merleau-Ponty, Zaner notes four moments

in the phenomenology of the animate organism:

a) One’s body bears that point of orientation, null (Träger der Orientierungspunktes),

around which other things in this world of space and time are organized;

b) It is one’s organ of perception (Wahrnehmungsorgan);

c) It is that which carries one’s field of sensation (Sinnesorgan);

d) It is the organ of one’s spontaneous actualization of the reflex-yearnings (reflexes) of

consciousness and that which realizes one’s willings (Willensorgan).

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Godwins, J. (2023). Philosophy of Body: Embodiment, Perception, and Understanding Other Minds. Advances in Social Sciences Research Journal,

10(11). 364-381.

URL: http://dx.doi.org/10.14738/assrj.1011.15886

One’s body-proper, Zaner argues, fetches these meanings for consciousness, following from a

recurrent and spontaneous complex process in the life of the conscious subject (Zaner, 1964,

250-251).

Drew Leder

Leder observes that in Cartesianism the body is a negative and counteracting moment within

the bipolar-self: a view reinforced by the fact that it is mostly experienced as (when) it features

prominently in moments of breakdown and malfunction. The body seems to disappear when

functioning unproblematically; it attracts attention only in times of malfunction. Following

Descartes, the body since the 17th century has been seen as part of res extensa and treated as

an object of scientific description which is subject to general scientific laws. Leder argues, on

the contrary, that the embodied self in its outgoing nature is, indeed, involved in a multiple form

of moral, aesthetic and spiritual communion. Besides, it is through one’s sensory motor skills

that one encounters a world replete with meaning and formed into gestalts. Within this

universe of perception, the body as presented by the science of experiment and observation

becomes inexhaustive of the body’s multiple senses (meaning). Instead, the body is the

condition of the very possibility of objects, the world and science. This calls attention then to

this other dimension of the body as an experiencer, a living body, a Leib. The body as Leib

reveals our corporeality as a principle of generation. The lived body, as an embodied self, lives,

breathes, perceives, acts and reasons. It is intrinsically at once a subject and an object (Leder,

1990, 1-8).

Embodiment and our Experiential and Metaphorically Framed Structures of

Understanding: Lakoff and Johnson

Lakoff and Johnson approach the question of our embodiment from the perspective of our

experiential and metaphorically framed structures of understanding. They have four major

propositions. First, there is preconceptual structuring of our experiences by our image

schemata. Second, we have concepts that correspond to our image schemas. Third, we have

metaphors that map our image schemas unto abstract spheres, while retaining their core logic.

Four, rather than being arbitrary, these metaphors derive from the structures that inhere in our

day-to-day corporeal experience (Lakoff, 1987, 275).

Image Schemata Structure Our Experience Pre-Conceptually:

Lakoff and Johnson see image schemata as continuous, active, dynamic, recurring structures

that organize our experience and comprehension. Perhaps a better example of the image- schematic structure is the recurring pattern we find in the experience of balance. Johnson cites

the example of a toddler trying to walk for the first time. One observes her initial unsteady

efforts at distributing mass and forces proportionately around an imaginary vertical axis. She

stretches out her arms to set up a steadying and stabilizing horizontal axis proportional to the

vertical axis. This imaginary central axis around which the forces get distributed is neither a

physical, perceptible object, nor a propositional structure conceptualized by the baby, nor an

image which she has. It is rather a recurrent pattern in the experience of balancing (Johnson

1987, 76). These schemata constitute for us a pattern, a structure according to which we

organize our experience and understanding, as we move and perceive with our bodies. They

structure our experience of space in various forms. The link schema, the container schema, the

part-whole schema, the center-periphery schema, the front-back schema, the up-down schema

all go into our organization and conceptualization of space.

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Advances in Social Sciences Research Journal (ASSRJ) Vol. 10, Issue 11, November-2023

Services for Science and Education – United Kingdom

Such is the case that the image schemata which structure space are eventually framed onto

corresponding abstract configurations which structure concepts. Our entire category structure,

for instance, is conceived in terms of the container schema. The physical space is extended to

the conceptual space. Consequently, our conceptual system is characterized by metaphorical

framing from physical space onto metaphorical space.

Corresponding Image-Schematic Concepts Exist:

Image schemata, which grow out of our bodily nature and our spatial boundedness as bodies,

give rise to body-related concepts such as our motor movement concepts, spatial relations

concepts etc. Spatial relations concepts, for instance, make sense of space to us. The from-to

schema generates our concepts of nearness and farness, according to which something is either

near to or far away from us. It is common knowledge that nearness and farness as such do not

exist. They are merely imposed on space, following from the from-to schema, which in turn

grows out of our bodily spatially orientated structure. The same is true of the concepts of back

and front, which come from the back-front schema. Nothing has a back or front in itself. Being

body-based concepts, fronts and backs make meaning only to beings, such as us, with fronts

and backs.

Our concepts are not only structured after the manner of the image-schematic structures, but

the very concept of structure itself is also structured by these schemata. The concept of

categories (the category-structure) makes sense to us within the context of the container

schema. The front-back schema opens up to us the background-foreground structure and

concepts. The part-whole schema as well as the up-down schematic structures give us an

understanding of the concept of hierarchy (hierarchical structure). The link schema reveals to

us the concept of relationship (relational structure).

Conceptual Metaphors Map Image Schemata into Abstract Domains:

Conceptual metaphors map our image schemata into abstract realms, keeping intact their

underlying internal structure and gestalt understanding. For instance, from the up-down

schema we construct the metaphorical mapping, more is up; less is down.

Orientational Metaphors orient and structure concepts in terms of non-metaphorical spatial

orientations, e.g., we suppose that more is up: ‘My salary rose by 50 %.’ Ontological Metaphors

frame the status of substance or entity onto things that are inherently bereft of such status. For

example, we assume the mind to be a machine: ‘Our minds refused to operate.’ Structural

Metaphors, emerging from our structural concepts, structure a kind of activity or experience

with respect to another kind. For example, we give the impression that understanding is seeing:

I see what you mean.

Schemata that structure our commonplace experience pre-conceptually have an internal

ecological structure. Pre-conceptual structural correlations in experience precipitate

conceptual metaphors that map this gestalt understanding onto abstract spheres. The result,

argue Lakoff and Johnson, is that what has been called abstract reason is but a certain

dimension of our temporal and physical functioning. Structured after an outside, a boundary,

and an inside, the basic logic (internal structure) of the in-out schema is that everything is either

inside a container or outside of it. It is either A or not A; and this is the ground upon which our

class logic is predicated (Lakoff, 1987, 272). Sample metaphors, Lakoff says, could be seen in

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Godwins, J. (2023). Philosophy of Body: Embodiment, Perception, and Understanding Other Minds. Advances in Social Sciences Research Journal,

10(11). 364-381.

URL: http://dx.doi.org/10.14738/assrj.1011.15886

the visual field, which is conceived in terms of the container schema, with things coming into

and going out of sight. Personal relationships belong here too. We go in and out of relationships.

We enter into marriages wherein we may be trapped. This indicates that image schemata have

their internal meaning structures and gestalt configurations. They reveal cognitive, ecological,

inherent and sensible organizations, which are preserved in metaphorical mappings.

Our conceptual metaphorical and conceptual metonymic functions enable us to comprehend

realms of experience bereft of pre-conceptual structures of their own. Much of these operations

are woven into thought. In Conceptual metaphoric models we have framings from an image- schematic or propositional model in one sphere (the source-sphere) to a corresponding

construct in another realm (the target-realm). Lakoff explains that the Conduit metaphor for

communication frames what we know about transporting objects in containers onto our

conception of communication. Hence communication becomes a transporting of ideas in words

(Lakoff, 1987, 114).

These Metaphors Are Experientially Motivated:

The conceptual metaphors, rather than being arbitrary, are themselves motivated by constructs

ingrained in our mundane experiences. An instance of this is the fact that our up-down schema

organizes virtually all our activities in terms of gravity. Daily we observe liquid levels in our

cups rise as we pour in water. We see them drop as we take away some quantity. The import is

a natural environment where quantity becomes accessible and easily understandable in terms

of our commonplace experience of verticality: a verticality-quantity correlation. This daily

experience motivates the structural correlation where more correlates with up, and less

correlates with down. This in turn informs the metaphorical mapping: more is up; less is down.

Thus, conceptual metaphors such as more is up, purposes are destinations (e.g., we are heading

toward becoming a humane world, we are not yet there but we shall definitely get there) are

prompted by pre-conceptual structural correlations in our mundane experience. The

correlational experience of the in-out schema is basically the embodied experience of the

human body as both a container and as an object in an enclosure. Our inquiry into image- schematic structures and their various metaphorical extensions and elaboration, our

consideration of the various dimensions of imaginative cognitive connections and processes,

and the existence of the many forms of metonymic thinking, all seem to lead to the hypothesis

that we use our imaginative faculties and processes to contemplate and talk about what we

experience. We use them in reasoning; they form part of our rational architecture.

Appraising Lakoff and Johnson

It is important to our discussion that some of the greatest philosophers concede that our

imaginative process has cognitive functions and connect our thoughts with our experiences.

Aristotle, Kant, Ricoeur, to mention but a few, belong here. In "der Kritik der reinen Vernunft,”

Kant recognizes this connecting activity of the imaginative process. Admittedly in Kant’s

account, at times, the functions of understanding (Verstehen) and those of imagination

(Vorstellung) overlap. However, in some passages one finds that the work of imagination is to

connect, while that of understanding is to streamline the conditions and principles according

to which this linking-up activity is to be carried out (Kant, 1787, B103). He also recognizes the

“procedure” of understanding with the image “schemata” and gives some examples of schemata

(Kant, 1787, B183-184). Lakoff and Johnson, for their part, with a rather elaborated sense of

the imaginative process take this theme some steps further.