Page 1 of 12

European Journal of Applied Sciences – Vol. 13, No. 1

Publication Date: February 25, 2025

DOI:10.14738/aivp.131.18177.

Sahin, C. K., & Merdan, R. (2025). Outdoor Exposure Effects on Different Formulated Clear Coats of Wood as Sustainable Urban

Design Material. European Journal of Applied Sciences, Vol - 13(1). 110-121.

Services for Science and Education – United Kingdom

Outdoor Exposure Effects on Different Formulated Clear Coats of

Wood as Sustainable Urban Design Material

Candan Kus Sahin

Suleyman Demirel University, Architecture Faculty,

Department of Landscape Architecture Isparta, Turkiye

Rahim Merdan

Isparta University of Aplied Sciences, Keçiborlu Vocational School,

Department of Interior Design, Isparta, Turkiye

ABSTRACT

When wood is exposed to the outdoors, degradation can occur either in the coatings

or the wood surface, or in both materials. However, interaction between exposure

radiation and the wood surface produces complex photooxidation reactions that

degrade the clear film and appear as discoloration. There are very complicated

variations found for the changes in all three-color coordinates in terms of outdoor

exposure impact on modifications of seven different coatings and exposure

directions. However, the similar surface coatings on tangent and radial surfaces

respond differently when exposed to outdoor. The varnish+teak oil and plant

oil+teak oil (ΔEEr: 3.47 vs. ΔEFr: 8.65) coated samples show higher radial surface

discolorations than counterpart tangent surfaces, while tangent surfaces show

higher discoloration than radial surfaces for the other five transparent coated

samples. The most stable surface against outdoor exposure was found with a radial

surface of varnish+enamel treatment of ΔECr: 1.71 (metric), followed by radial and

tangent surface of varnish+teak oil treatments (ΔEEr: 2.78 and ΔEEt: 3.47). It is

notable that all discolorations were perceptible to the human eye (ΔE:>1.0 unit)

when look carefully. There is no trend observed for chroma and hues of samples.

Solely varnish coated (hBt) and plant oil+varnish coated (hGt) samples

show considerably shifts of color for tangent surfaces and solely varnish coated

(hBr) and plant oil+ varnish coated (hFr) samples for radial surfaces (Δh ± >5

degree), while all other samples do not show noticeable differences between radial

and tangent surfaces of coated samples, either weathered or not, and those changes

were not perceptible by the human eye.

Keywords: Transparent coating, CIEL*a*b*, discoloration, weathering.

INTRODUCTION

Because wood is a natural material that has its own characteristic color and appearance, it has

become a popular sustainable urban design element that is expected to have a long service

life [1-3]. However, this specific aesthetic value can quickly be lost if left unprotected from

outdoor exposure. Therefore, to prolong the service life of wood products, enhanced resistance

against natural and artificial fading is necessary. In this regard, numerous bulk and surface

protective methods have been developed to slow down degradation processes [4-6]. Some of

those methods (e.g., thermal, surface, physical, chemical, impregnation, etc.,) have shown good

Page 2 of 12

111

Sahin, C. K., & Merdan, R. (2025). Outdoor Exposure Effects on Different Formulated Clear Coats of Wood as Sustainable Urban Design Material.

European Journal of Applied Sciences, Vol - 13(1). 110-121.

URL: http://dx.doi.org/10.14738/aivp.131.18177

potential for increasing abiotic and biological resistance and enhancing the natural

performance of wood [5-7].

Research in the field of open space design represents a source of technological evolution for

urban furniture objects. However, one of the considerations is to obtain resistive materials

against light (UV/Vis), be flexible in design places, and have an aesthetic appearance with

acceptable costs [2, 3]. Thus, wood is one of the best materials for urban furniture

manufacturing. It is noticeable that well-designed elements should be flexible and bring an

interesting practice [1-3]. Due to the variety of age groups accessing open spaces and

interacting with urban furniture, they could be accessible to the aged, the disabled and also

children [2].

One of the simplest and most cost-effective approaches is applying protective transparent

finishes or opaque coatings to wood surfaces. In this way, clear finishes display the natural

surface color and texture of the wood [8-10]. However, specially formulated surface coatings

could enhance performance by reducing the water uptake and increasing dimensional stability,

resistance to weathering, and insert color stability [6, 11, 12]. The formulations of surface

coating agents are primarily considered to be well penetrated and polymerized, resulting in cell

wall bulking, but a major proportion of the agents also remain located in the cell lumens [4, 10].

Moreover, environmental concerns associated with the use of conventional preservatives have

drawn attention to the wood modification approach, which has also altered some material

properties [5, 6, 13, 14]. Recent studies have reported the combined coating of wood with

various types of synthetic and natural agents to enhance the aesthetic quality of the wood

substrate [15, 16]. Šimunková et al. (2018) proposed that UV aging affected high-gloss

polyurethane lacquer and traditional shellac varnish-coated wood samples differently. For

evaluating these variations, they measured the coated wood's surface resistance to cold liquids,

adherence to the wood surface, surface hardness, and gloss properties [17]. It had also been

reported that shellac and polyurethane finishes were similarly effective in protecting gloss

following UV exposure in an accelerated lab test, but there was a marked decrease in the water

resistance of shellac finishes [17]. Silva et al., (2007) evaluated the photodecomposition

process of five tropical wood species and the protection effect of two wood finishing

products under artificial weathering [11]. It was suggested that changes in the natural color of

wood indicative of the photodegradation process, and the protection degree of a transparent

poliuretanic varnish and a semitransparent stain be monitored by spectrocolorimetry. It was

explained that the protective properties of varnish and stain are different for certain wood

species [11].

There have been numerous reports regarding urban furniture properties prepared from wood.

However, the majority of these investigations are related to wood’s drawbacks during outdoor

exposure and protective treatments against those detrimental factors in order to improve the

serviceability of wooden products. In this regard, this study aims to evaluate specially selected

seven different formulated surface transparent (clear) coating agents on two different surfaces

of the same Calabrian pine (Pinus brutia) wood, one of the most common wood species for

urban furniture manufacturing in Turkiye. Therefore, the aging of those transparent coatings

has been investigated by general color measurement assessments.

Page 3 of 12

Services for Science and Education – United Kingdom 112

European Journal of Applied Sciences (EJAS) Vol. 13, Issue 1, February-2025

MATERIAL AND METHODS

For the conduction of this work, the Calabrian pine (Pinus brutia) wood was used. The small

samples in the dimensions of 50 mm x 50 mm x 10 mm were prepared from a planed flat

(tangent surfae)- and quarter-sawn (radial surface) boards that were purchased from a local

timber company. The prepared samples were climatized at 20 °C and 65% relative humidity

(RH) until equilibrium moisture content was reached. There were five commercially

available, ready-to-use agents supplied from local markets to prepare desired coating

formulations in laboratory conditions. These are: teak oil, oil-modified alkyd-based

varnish, synthetic alkyd-based impregnation agent, wax-based synthetic wood enamel, and

natural plant oil (sesame oil). From those agents, as given above, the following seven coating

formulations were prepared and applied to wood specimens to evaluate their stability against

outdoor exposure. These are: A: Solely teak oil coatings; B: Solely varnish coatings; C: Varnish

and then surface enamel coatings; D: Impregnated and then varnish coatings; E: Varnish and

then teak oil coatings; F: Plant oil and then teak oil coatings; and G: Plant oil and then varnish

coatings. The dipping procedure in one minute were applied to all transparent coating

applications. At the end of the dipping, the samples were placed horizontally on a laboratory

table to dry for at least 72 hours. The both uncoated (controls) and seven different transparent

coated of tangent and radial surfaces of the wood samples were placed horizontally on the south

side of a height(Sobu height)to facilitate free distortion and exposed outdoors for the period May

2024 to September 2024 in Isparta, Turkiye. Concerning discoloration determination, three

measurements from each group were taken to analyze the performance of wood coatings. The

natural weathering aging of the coatings and tangent and radial surfaces of the same wood

species were equally prepared, and their surface discolorations were compared after periods

of weathering. In total, 48 wood samples were outdoor exposed.

The determination of the color coordinates was carried out by using an X-rite SP68

spectrophotometer with a circular measuring area with a diameter of 10 mm. Color evaluation

was done using the CIE L*a*b* C*, h° color system, the color parameters L* (lightness), a*

(redness), and b* (yellowness) as well as the total color changes (ΔΕ*) were determined after

weathering. The total color changes (ΔΕ*) were calculated using the following equation:

2 2 2 1/2 ΔΕ* = [(ΔL*) + (Δa*) + (Δb*) ]

(1)

Where ΔL*, Δa* and Δb* are the changes of the colour coordinates L*, a* and b*.

However, L*C*h° values are obtained by converting L*a*b* values. The L*C*h° color space of

lightness (L*), color saturation (C*) and hue angle (h°) were measured.

RESULTS AND DISCUSSIONS

Wooden elements are usually preferred for architectural purposes due to their naturalness and

aesthetic properties. However, natural or modified wood can be degraded, especially those left

outdoors for a long time, such as that shown in Figure 1 (a-i). The photos in Figure 1 clearly

show the degradation, discoloration or considerable changes from their original appearances

of some wooden urban elements. When those elements were analyzed visually, the outer layers

appeared to be destroyed, and a visually unpleasant form was established. As a result of those

changes, the wooden elements began to exhibit extensive graying on their surfaces after